Manon  

by Jules Massenet

 

Saturday, January 28, 2012 at 8:30PM 

Performed in French

 

Symphony Space on Broadway

New York City

 

 

 

 

 

 

 

 

Act 1
The courtyard of an inn at Amiens

De Brétigny, a nobleman, has just arrived, in the company of Guillot, an aging rake who is the Minister of Finance, along with three flirtatious young actresses. While the innkeeper is serving dinner to the party, the townspeople collect to witness the arrival of the coach from Arras. Among them is Lescaut, a Guardsman, who tells his comrades that he plans to meet a kinswoman. The coach appears, and among the crowd Lescaut quickly identifies his fragile young cousin, Manon, who appears to be somewhat confused (Je suis encore tout étourdie) since this is her first journey, one which is taking her to the convent.

Manon is accosted by the opportunistic Guillot, who tells her he has a carriage waiting, in which they can leave together. His heavy-handed seduction is undermined by the return of Lescaut, who then lectures the young woman (Regardez-moi bien dans les yeux) on proper behavior. He leaves her unattended once more and she admires the fashionably dressed three actresses, but reproaches herself (Voyons, Manon), unconvincingly vowing to rid herself of all worldly visions.

Des Grieux, traveling home to see his father, catches sight of Manon, and instantly falls in love. When he approaches, she is charmed by his chivalrous address (Et je sais votre nom), and their exchange rapidly becomes a mutual avowal of love. Both their planned journeys, hers to the convent and des Grieux's to his home, are swiftly abandoned, as they decide to flee together (Nous vivrons à Paris). But there are hints of incompatible aspirations: while he returns, over and again, to "tous les deux" (together), the phrase she repeatedly fondles is "à Paris". Making good use of the carriage provided by the disappointed Guillot, the lovers escape.

Act 2
Manon and des Grieux's apartment in Paris

With little hope, des Grieux writes to his father, imploring permission to marry Manon. Lescaut enters intent on creating a scene and accompanied by de Brétigny, who is masquerading as a fellow-Guardsman. But his concern for offended family honor is only camouflage for his alliance with his friend. Trying to prove his honorable intentions, des Grieux shows Lescaut the letter to his father. Meanwhile, de Brétigny warns Manon that des Grieux is going to be abducted that evening, on the orders of his father, and offers her his protection and wealth, trying to persuade her to move on to a better future.

After the two visitors depart, Manon appears to vacillate between accepting de Brétigny's offer and warning des Grieux. When her lover goes out to post his letter, her farewell to the humble domesticity she has shared (Adieu, notre petite table) makes clear she has decided to go with de Brétigny. Unaware of her change of heart, des Grieux returns and conveys his more modest vision of their future happiness (En fermant les yeux, the once-famous 'Dream Song'). Going outside to investigate an apparent disturbance, he is seized and hustled away, leaving Manon to voice her regrets.

Act 3
Scene 1: Paris, the promenade of the Cours-la-Reine on a feast-day.

Among the throng of holiday-makers and vendors of all kinds are Lescaut and Guillot, the latter still flirting with the young actresses, while Lescaut expresses the joys of gambling (À quoi bon l'économie?). De Brétigny arrives, soon joined by Manon, now sumptuously dressed and with a retinue of admirers. She sings about her new situation (Je marche sur tous les chemins), following it with a gavotte (Obéissons quand leur voix appelle) on the joys of love and youth.

Des Grieux's father, the comte, greets de Brétigny and Manon overhears that her former lover is Chevalier no longer, but Abbé, having entered the seminary of Saint-Sulpice. Approaching the comte, Manon tries to discover whether his son still loves her. Guillot then attempts to win Manon over by bringing the ballet dancers of the Académie Royale de Musique, which she had expressed a desire to see. However Manon is seized by the desire to see des Grieux once more, and admits, when asked, that she paid no attention to the dancers, to Guillot's annoyance. She hurries off to Saint-Sulpice.

Scene 2: Saint-Sulpice

From the chapel, the congregation is leaving, enthusiastic over the sermon of the new abbé (Quelle éloquence!). Des Grieux enters, in clerical garb, and his father adds his voice to the chorus of praise, but tries to dissuade his son from this new life, so that he can perpetuate the family name (Epouse quelque brave fille).

He leaves, having failed to shake his son's resolve and des Grieux, alone, relives memories of Manon (Ah! Fuyez, douce image). As he prays, Manon herself appears, to implore his forgiveness for her faithlessness. Furiously, he attempts to reject her, but when (in N'est-ce plus ma main?) she recalls their past intimacies, his resistance is overcome, and their voices join in an impassioned avowal of love.

Act 4
A gaming salon at the Hôtel de Transylvanie

Lescaut and Guillot are among the gamblers, and the three young actresses are prepared to attach themselves to any winner. Manon arrives with des Grieux who declares his total love: (Manon! Manon! Sphinx étonnant). He is persuaded to gamble, in hopes of gaining the wealth she craves. He plays at cards with Guillot and continually winning as Guillot doubles and redoubles the wager. As Manon exults, Guillot accuses des Grieux of cheating. Des Grieux denies the charge and Guillot leaves, returning shortly with the police, to whom he denounces des Grieux as a cheat and Manon as dissolute.

The elder des Grieux enters, and tells his son that, while he will intercede in his behalf, he will do nothing to save Manon. In a big ensemble, with Guillot exulting over his revenge, Manon lamenting the end of all joy, des Grieux swearing to defend her, and the rest expressing consternation and horror, the arrested pair is led away.

Act 5
      [Act 4, Scene 2 in the original version]
A desolate spot near the road to Le Havre

Convicted as a woman of ill-fame, Manon has been condemned to be deported. Des Grieux, freed by his father's intervention, and a penitent Lescaut, now his ally, wait to waylay the convoy in which Manon is being marched to the port. A detachment of soldiers arrives with their prisoners. The would-be rescuers recognize the hopelessness of attacking so strong an escort, but Lescaut succeeds in bribing their sergeant to allow Manon to stay behind till evening. The convoy moves on, and a sick and exhausted Manon falls to the ground at des Grieux's feet.

In his arms, near delirium, she relives their former happiness. Des Grieux tells her the past can exist again but Manon, now calm, knows that it is too late. With the words Et c'est là l'histoire de Manon Lescaut she dies.

 

Top